Freedom on the Tyne – an evening of history, drama and celebration

A beautiful cold evening in Newcastle and Gateshead on Sunday got me thinking about the inter play between the history of a place, its stories and its sense of self. Freedom on the Tyne – a vast and awe inspiring theatrical celebration of Martin Luther Kings brilliant speech as he received his honorary doctorate from the University of Newcastle fifty years ago – culminated in a celebration on the Tyne Bridge eerily reminding everyone of the infinitely more terrifying march at Selma. But it wasn’t the extraordinarily skills acrobatic dancers, the stilt walkers or the moving speeches that hit me most. It wasn’t even the experience of seeing a busy urban route free of traffic.  It was the huge joint commemoration of the Peterloo Massacre, the Jarrow Marchers, the siege at Amritsar, the Sharpeville Massacre as well as the decision to cross at Selma, which together fired a celebration of protest and resistance, of global connections, and of pride in a place that could put all this on. Our public square can be a desiccated place – here were people apparently from communities across Tyneside, reimagining history, remembering music, celebrating historic oratory, poetry and dance, and doing so in a way that made those apparently distinct unconnected struggles feel incredibly relevant today. Historic connections across time and space really matter – and they speak to all sorts of people.

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